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Music --- songs [documents] --- Film --- video art --- Aube (Dept.) --- songs [musical compositions]
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Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Political aspects.
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The volume focuses on music during the process of European integration since the Second World War. Often music in Europe is defined by its relation to the concept of Occidentalism (Musik im Abendland; western music). The emphasis here turns rather to recent manifestations of its evolvement in ensembles, events, musical organisations and ideas; questions of unity and diversity from Bergen to Tel Aviv, from Lisbon to Baku; and deals with the tension between local, regional and national music within the larger confluence of European music. The status of classical and avante-garde music, and to a degree rock and pop, during Europe's development the past sixty years are also reviewed within the context of eurocentrism - the domination of European music within world music, a term propagated by anthropologists and ethnomusicologists several decades ago and based on multiculturalism. Conversely, the search for a musical European identity and the ways in which this search has in turn been influenced by multiculturalism is an ongoing, dynamic process.
Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Social aspects --- Ethnomusicology. --- European identity. --- Multiculturalism.
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Music. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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In Musical Maryland, the first comprehensive survey of the music emanating from the Old Line State, David K. Hildebrand and Elizabeth M. Schaaf explore the myriad ways in which music has enriched the lives of Marylanders. From the drinking songs of colonial Annapolis, the liturgical music of the Zion Lutheran Church, and the work songs of the tobacco fields to the exuberant marches of late nineteenth-century Baltimore Orioles festivals, Chick Webb's mastery on drums, and the triumphs of the Baltimore Opera Society, this richly illustrated volume explores more than 300 years of Maryland's music history. The book also offers a sampling of the tunes that Maryland's more remarkable composers and performers, including Billie Holiday, Eubie Blake, and Cab Calloway, contributed to American music.--Publisher's description.
Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Social aspects --- History. --- History and criticism.
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Czech musical culture around 1900 saw itself as the culminating phase of the development of Czech national music. At the same time, however, it exhibited many contradictory phenomena mirroring the inexorable dissolution of unified Czech patriotic life, which especially in the second half of the nineteenth century had encountered resistant forces in the Germanophilic environment of the Austro-Hungarian monarchy. The extraordinary dynamics of the period of about two decades before the outbreak of World War I were determined by the rise of a young generation of composers who now accepted the "global" character of Czech music as a matter of course, thanks to the international success of works by Bedrich Smetana (the opera The Bartered Bride) and Antonín Dvorák (works for orchestra and chamber ensembles, large choral works). Composers like Leos Janácek, Josef Bohuslav Foerster, Josef Suk, and especially Vítezslav Novák had extraordinary talent, received good training, and gradually won support from influential publishers. With courage and critical perspective they came to terms with the bequest of the "fathers", the "founders" of Czech music, as well as with the works of their own more famous contemporaries like Richard Strauss, Gustav Mahler, and Gustave Charpentier. They gained successes abroad. Reactions by the public, critics, and their colleagues, however, were mixed, as though Czech society were not capable of accepting divergent approaches to artistic creation. Many works (if not many composers) came out of this "battleground" weakened and fell by the wayside. One of the aims of this book, Czech Music Around 1900, is to draw attention to some unjustly forgotten treasures of Czech music.
Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism.
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This ground-breaking collection of essays, which arises from a unique collaboration between leading scholars based on either side of the former Iron Curtain, is the first attempt to appraise the current state of research on the development of Russian art music since the 1917 Revolution. Part I provides a comprehensive critical overview of recent research both in Russia itself and outside it, outlining the principal changes in approach and emphasis. The remaining essays engage with topics of key importance, including: the envisionings of music's place in Soviet and post-Soviet cultural life; the effects of state controls on musical creativity and performance; musical institutions; the Russian musical diaspora; and the transition to the post-Soviet period.
Music --- Musique --- History and criticism. --- Histoire et critique --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism
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Music was one of the first casualties of the Iranian Revolution. It was banned in 1979, but it quickly crept back into Iranian culture and politics. The state made use of music for its propaganda during the Iran–Iraq war. Over time music provided an important political space where artists and audiences could engage in social and political debate. Now, more than thirty-five years on, both the children of the revolution and their music have come of age. Soundtrack of the Revolution offers a striking account of Iranian culture, politics, and social change to provide an alternative history of the Islamic Republic. Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians—a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper—each with markedly different political views and relations with the Iranian government. Taken together, these examinations of musicians and their music shed light on issues at the heart of debates in Iran—about its future and identity, changing notions of religious belief, and the quest for political freedom. Siamdoust shows that even as state authorities resolve, for now, to allow greater freedoms to Iran's majority young population, they retain control and can punish those who stray too far. But music will continue to offer an opening for debate and defiance. As the 2009 Green Uprising and the 1979 Revolution before it have proven, the invocation of a potent melody or musical verse can unite strangers into a powerful public.
Music --- Sociology of culture --- muziekcultuur --- Social change --- muziekgeschiedenis --- Iran --- Political aspects --- History. --- Politics and government --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries)
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From basics like posture, breathing techniques, and articulation to a survey of the performance practices of key woodwind and brass masters, Walker includes an analysis of each technique along with images and exercises that present the mechanics of each method.
Music --- Wind instruments --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Performance --- Psychological aspects. --- Physiological aspects. --- Instruction and study.
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